Criticism is a bit of a dirty word, isn’t it? Nobody wants it thrown in their direction. We fear it and worry that we might be its next target. More’s the pity, because criticism is a necessary part of the creative process. Heck, it’s a necessary part of being creative, period.
You learn to grow a thick skin when you’re a writer or artist or filmmaker. Putting your work out there … well, you’re going to get reactions. Some good, some bad, some just plain weird. When I gathered beta readers to read my work in progress, I asked for criticism. Demanded it really, because I need it. Where would we be without second opinions?
But the word has gone through an evolution that’s warped its original meaning. The way I see it, criticism isn’t a bad thing in and of itself. But look at how we use it in everyday conversation: “He criticized my tastes.” “She was critical of the restaurant he picked.” “They learned to ignore criticism of their actions.” It’s always in a bad context, isn’t it?
What criticism actually is is pretty simple: Evaluation of the quality of something. That’s it. Art critics evaluate the quality and merits of an art piece. Literary critics evaluate books. They are judges of whether something is good, based on more or less consistent criteria.
Oh, now there’s a dirty word. Judge. Who wants to be judged?
Well, if you’re writing a book, you’re going to be. People have opinions, and boy howdy are they happy to share them! Which can be a good thing, because otherwise how the blazes am I going to know if my work is any good or not? Or at the very least, if it’s having the effect on readers that I want it to have? And besides, plenty of people have stuff to say that is actually helpful and informative.
But criticism also invites the opportunity to show off one’s own creative side by inventing an endless tirade of elaborate insults that read well on websites and give people something to giggle at. Critics seem to have a knack for channeling their eloquence into spectacular putdowns. Doesn’t really portray the concept of criticism itself as something desirable.
Like I said, you have to grow a thick skin. And you have your own responsibility: Winnow out the kernels of useful feedback from the dross.
There’s positive criticism and there’s negative criticism. There’s evaluation of the failures and triumphs of your work. Listen, consider, and take the steps you need to improve. Criticism isn’t bad. We all need it to get better. Otherwise, we’re just working in isolation, never knowing if what we produce is truly worthwhile. And no writer can afford to be that solitary.
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Jake W. Powell 