Fluff is Good. We Need More Fluff.

Ever heard of a film called Sullivan’s Travels? It’s about a movie director who made his fame by making lighthearted comedies. He’s grown discontent with his reputation, and decides to strike out and make a serious picture, one that addresses the ills of society. The plan … goes wrong, to say the least (no spoilers!). In the end, though, he learns a moral: Lighthearted fiction has its place in the world and is more valuable than we give it credit for.

How many writers set out to craft the Great American Novel? Or to join the ranks of great authors of the world like F. Scott Fitzgerald, Ayn Rand, George Orwell, Jonathan Swift, Victor Hugo, Nikos Kazantzakis, James Joyce, and Leo Tolstoy? It’s a tall order. It’s a tremendous challenge. Some may succeed. You who are reading this very blog may someday have your name counted among the giants of literature. Or you may not. Some of us choose not to, some of us don’t have the time or inclination to put in the effort, and some of us simply don’t have the skill.

And that isn’t a bad thing.

Veronica Lake and Joel McCrea in Sullivan’s Travels

I don’t know, maybe it’s the universities nowadays. There’s tremendous pressure on students to go out into the world and change it. To start something big, to borrow my alma mater’s motto. An expectation, maybe even a demand, to create, accomplish, or otherwise affect something socially significant. Why? I don’t know. It’s college, they have to justify that education somehow.

And so, you earn that Creative Writing degree, or Literary History, perhaps, or Communication (a very fine and sensible degree, don’t let anyone tell you different). You go out into the real world and find out that society is a lot more complicated than they told you about in school, and – shock and horror! – a lot of people aren’t as worried about the Profound Truths and Hard-hitting Social Commentary you want to write about as they are paying the bills, staying fit and healthy, keeping down a good job, and generally trying to get through life with their sanity intact.

Ever notice how a lot of great novels are rather grim? A lot of hard facts about life, a lot of stoic resolve to endure the unendurable, a lot of depressing defeats and protagonists being ground into the dirt. A glint of hope, perhaps, but mostly just acknowledging and analyzing how horrible the world can be. And it’s true. Life is a bully. But guess what? Everyone already knows that!

I do not demean the accomplishments of famous authors. They are famous because of their genuine skill and vision. But if I had to read works like 1984 and Crime and Punishment every time I settled down for the evening, I’d be a paranoid, depressed mess. We need fluff. We need lightness and joy and hope. The fluffy works, the pulp fiction, the genre pieces, and those weird novels you find tucked away in mysterious bookstores downtown. We need them. And we need authors to write them. They have value, because I firmly believe that all literature has value, regardless of its form or origin. John Carter of Mars and Conan the Barbarian are just as important as Zorba the Greek and The Grapes of Wrath

Am I biased? Well, I had to read Fitzgerald’s The Great Gatsby like three times in high school and watch the 1974 film adaptation starring Robert Redford. I was fed too much great literature and got queasy.

So, if you’re an author who feels frustrated that you can’t write “serious” work or don’t have the talent to create something “meaningful” and “socially significant,” consider that your talents may lie elsewhere. That your skills may not be suited to a deep analysis of the human condition, but might be perfect for a romping adventure or mystery thriller. Not everything has to have a deeper meaning. And who’s to say that a genre piece won’t touch someone in ways none of us can ever know? A little escapism is a good thing.

So, don’t worry about writing something great. Just focus on something good. Most of all, write what you enjoy.

Did you like what you just read? Are you a writer, or just looking for fun content? Do you want more, but are worried about missing new posts? Please subscribe! I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

It hasn’t gone anywhere, and it won’t anytime soon! My first book, A God Walks Up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – plus with demigods, vampires, nymphs, ogres, and magic. The myths of old never went away, they just moved on with the times. It’s a tough job, being a god!

Image Source: “Dandelion” by Kim Siever; Public Domain Mark 1.0.

Fan Fiction: Not as Bad as It Sounds

It’s the worst insult you can toss at a writer. It’s the deepest cut, the ultimate condemnation.

This reads like bad fan fiction.

Amateurish, incompetent, dubious, self-indulgent, outright moronic – these are the connotations those six words carry. Fan fiction is the respite of those who cannot write, but insist on doing so. Taking what others have already made and twisting it into their personal playground of poorly conceived plots. The refuge of the untalented.

Except it’s not true. Well, mostly.

Stories written by fans about their favorite movies or books or other franchises have garnered a collectively dismal reputation. They’re just a means for disgruntled people to “fix” stories they felt were ruined by the original creators or a way to make up romances between two characters that they happen to like. Now, these types of stories aren’t necessarily poor quality, but they tend to be made purely for the author’s own self-gratification. Consequently, quality isn’t an issue, only that the author gets what they want out of the story without regard for whether others will enjoy it (which beggars the question why it is posted online).

On the other hand, there is fan fiction that is comparable to published works, displaying not only raw talent but an understanding of plot structure, characterization, and reader engagement. Some of them are indeed so-called “fix fics” and romances, but just as many are original ideas, what-if scenarios, unofficial sequels, and other creative content. There’s the bad, the good, and the exceptional.

I wonder how many fan fiction writers could become successful mainstream authors if they so chose.

But what does this matter to you or me? What can aspiring writers who seek to publish, whether independently or through traditional publishers, find of worth in the world of fan fiction?

To put it plainly, writing fan fiction is really good practice for a writer.

I’ve written fan fiction. I wrote fan fiction before I published A God Walks Up to the Bar specifically to cut my teeth on writing for an audience. Fan fiction sites don’t require author names. You can make up any username or web appellation that you want. Anonymity can motivate shy writers, among whom I can be counted. The boldness inspired by a sobriquet can finally push you to take the plunge into getting your work out to the world. Plus, you get your first taste of criticism, good and bad, and develop the thick skin you’ll need and the ability to discern between worthwhile critiques and meaningless heckling.

If you’re a serious writer, fan fiction isn’t an exercise in self-indulgence. You want to tell a good story, and sometimes, building off a preexisting idea can be just the spark you need to flex your storytelling muscles. You can explore freely, experiment with writing styles to see what works for you and what doesn’t, and most importantly, you get to write. Practice, practice, practice. That’s how you improve as a writer.

And just as important, it’s completely free. The barrier of entry is even lower than for an indie publisher. No need for a budget to pay editors, beta readers, and cover artists. No need to maintain an author’s website. No need even for a business license! And the marketing is free, too. Fan fiction, by its nature, is about something already popular and well-known, so your writing can possibly attract more readers than your other, original works. Which is, well, not really fair, I suppose, but let’s try to stay optimistic here. More readers means more criticism means more improvement. Writing fan fiction is a fantastically low-risk method of developing your writing. It’s a great way to discover your own identity as an author without worrying about finances and other aspects of publishing.

All of which is to say, if you’re interested in getting into professional writing and feel you want to practice your skills and test the waters of public reception, fan fiction is a great starting point. And as someone who loves things to come full circle, I’ll just end by saying that someday, you may look back on these early experiments and chuckle … because now people are writing fan fiction about your work.

Did you like what you just read? Are you a writer, or just looking for fun content? Do you want more, but are worried about missing new posts? Please subscribe! I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

It hasn’t gone anywhere, and it won’t anytime soon! My first book, A God Walks Up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – plus with demigods, vampires, nymphs, ogres, and magic. The myths of old never went away, they just moved on with the times. It’s a tough job, being a god!

Stop Being Bad: The Redemption Arc in Storytelling

The story of the redeemed villain is a common and provocative trope in storytelling. It’s always fascinating to witness how a thoroughly evil and vile figure can turn around and repent of their ways. We like to see these tales play out and watch what happens next. It appeals to us.

Maybe the villain is likeable enough that we don’t want to see them die, or maybe we even see a little bit of ourselves in there, and hope that their redemption means there’s hope for us, too. Whatever the reason, a villain’s redemption is a major story beat, and should be treated as such. Which, in turn, means that writers should seriously consider it before going through with it. Is it the right move for the story? Is the villain truly redeemable, that is to say, is it a logical and fitting step in their growth as a character? Are they willing to seek redemption? Most importantly, can they be redeemed in a way that the audience finds natural and believable?

It’s easy to fall in love with a good villain and not want them to die. So, some writers just … give them an out. The villain evades consequences, sobs a few tears, gives a dramatic monologue, and skips on over to the side of good. And are welcomed with open arms. But is that how it would actually play out in the context of the world you’ve written? How bad is your bad guy? Did they blow up a planet, or just steal a few pies? If it’s the former, do you really expect them to be immediately welcomed and trusted by the heroes?

Don’t get me wrong, I’m not talking about a villain-hero team-up. Sometimes, good guy and bad guy have to work together, usually against a worse bad guy, but the villain remains clearly villainous, just currently motivated by shared interest. To be redeemed, a villain must be penitent. And to be penitent, a villain must truly feel remorse. And in feeling remorse, a villain must show a change in action and motivation.

A redemption arc is character development. The character will not be the same person at the end of it. Indeed, we writers should seriously consider this fact. If the villain was likeable because of their villainy, then redeeming them may in fact hurt them as a character. They’re no longer a villain. Will that take away what made them interesting and engaging?

On the other hand, you could have the villain redeemed through the classic act of self-sacrifice. It worked for Darth Vader, didn’t it? But, and hear me out, I think this is a bit of a cheat. Imagine how different things would have been for this classic movie villain if he had survived and had to stand trial before the people whose friends and family he had slaughtered. He would have to face his daughter Leia over the destruction of Alderaan. He would deliver himself into the hands of the Rebel Alliance he had hunted down for the whole trilogy. He’d have to live with the memories of his crimes. He’d have to do more than gasp a few words to his son as he lay dying to convince us he was truly changed. He would have to make his redemption stick. An interesting thought, no?

Redemption arcs are fascinating. They offer an incredible opportunity to explore facets of a character that usually aren’t. How and why does the villain do what they do? What would make them stop doing it? Can they stop? Do they have doubts? Do they value something greater than their current goals that they would give up their desires for? These are the sorts of questions that can help you figure out if your villain is a candidate for a moral turnaround.

The most important question to ask is: Does it serve the story? We are talking about fictional characters, after all. They’re not real people, they’re figures in a narrative that we as writers have the responsibility and privilege to manage and direct. Redemption and repentance in real life is quite another thing entirely, even if they do inspire our work. Real life is fuzzy. We can’t truly know other people’s motivations. But we can know exactly what motivates the characters we write, and so we can answer this question with confidence: Can my villain stop being bad?

If you just so happen to be enjoying my blog, feel free to subscribe. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My first book, A God Walks up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – and with demigods, vampires, nymphs, ogres, and magic. The myths never went away, they just learned to move on with the times. It’s a tough job, being a god!

Image Source: “THE Supervillain’s Lair” by nicknormal; Licensed under CC BY-NC-ND 2.0.

Is It Possible to Be Too Ambitious?

It’s a question worth asking if you’re a writer.

We all have big dreams, and big dreams involve big projects, lots of planning, blood, sweat and tears. Writers want to be known, and they want to put out their best possible work into the world. That takes time. And as we are all acutely aware, we don’t have all the time in the world.

So, is it possible to embark on a writing project that is too ambitious? Can we overreach ourselves and fall short?

In the end, it depends on each one of us.

Ambition is not in and of itself a bad thing, mind you. The desire to improve and grow is a natural and good thing for a writer. But writing and publishing also require a fair dose of humility. We are not all going to become the next Hugh Howie or Brandon Sanderson. And they only reached the heights they did because they worked really hard for a really long time to get there. So, how hard are you willing to work? Just as important, how hard are you able to work? Time isn’t infinite, and you might genuinely be limited by work schedule, family, and other things that pop up in life. If you try to expend time and focus you don’t actually have to spare, yes, you are being overambitious.

What about experience? How many books have you written before? Planning to write an epic trilogy that will sell a thousand copies when it’s your very first published work? Maybe you want to back off on that plan for a while. Write some smaller books first, find your voice, build up your skill. The story of the one-off novel that becomes a literary masterpiece is very alluring, but let’s not assume it’s going to happen to us.

Yes, you have talent. I have talent. We all have talent, and we can sharpen that talent into something great and memorable. But desire is no substitute for talent. What we want and what we have to work with are very different things. If you don’t have the experience, get it. Then write your magnum opus.

Overambition is overreach. It is to push yourself beyond your capabilities. Writing is like exercise. You flex your storytelling muscles every time you do it. That helps you build bigger muscles that can handle a bigger workload and more complex stories. It’s discipline. Weightlifters don’t start off with 400 pound weights when they begin their training. They work their way up to it.

Is it possible to be too ambitious? Yes. But the measure of that ambition changes over time. What is too ambitious now may be achievable ten years later, because in ten years you’ll be a better author. Keep writing. Keep stretching your limits. Shoot for the moon, but don’t assume you’ll get there on your first shot.

If you just so happen to be enjoying my blog, feel free to subscribe. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My first book, A God Walks up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – and with demigods, vampires, nymphs, ogres, and magic. The myths never went away, they just learned to move on with the times. It’s a tough job, being a god!

Hard Times: Facing Down Discouragement

Feeling down in the dumps? Feeling like nothing you do is right or ever will be? If not, don’t worry, you will.

I’ve detected a pattern to discouragement in my life. It likes to come at certain times. I wonder if that’s true for everyone.

I find that nighttime is the worst for me. A couple of hours before bedtime, when I start to tire and my mind starts shutting down, fear and worry slither into my brain.

I need to start thinking about this. I haven’t done that yet. Do I have enough time to complete my book? Do I have enough money to pay for editing and publishing and marketing? Is it even any good?

It’s inevitable. For the writer, it can be debilitating. We work hard to finish our projects. We march on with stubborn determination to see our dreams through to the end. And we dread … not failure exactly. Inadequacy. Anyone can write, but can we write well? Or is it all just crap that would be better off hidden away in our computer’s hard drive, or better yet, in our own minds?

Even worse, what if it’s a good story, but nobody knows it exists? The unnoticed, inconsequential curiosity of the online store.

The night is a quiet and still time. My brain has time to process all these fears. When the excitement of the actual writing process stops, these nagging thoughts are heard most clearly.

But we don’t have to listen to such fears. They come, they stay a while, and then they leave. Yes, they do leave, if we press on regardless. Discouragement isn’t something we always have control over, but we can control how we act in response to it. Feelings of worry are not eternal. They only have real power to influence our life and work if we give them permission. Emotions run up and down. I look at my work today and feel it’s my best yet, and look at it tomorrow and cringe in disgust.

To continue writing in spite of that hollow feeling, to trudge along, to persevere through grim thoughts, this is is what we must do. Night isn’t forever.

Fear debilitates. Depression paralyzes. Writing is a joy for me, but I don’t feel excited about it all the time. Not 24/7. I have rough spots. I have times where I wonder if I should just leave it all behind. And I wait. I don’t act on those impulses of giving up, because I realize that they don’t last.

Writing is a marathon. Like athletes, we tire. We can feel inadequate and unable to rise up to the challenge. Write anyway. If you feel like crap, write. If you feel like nothing is coming to you, write something. A paragraph, a single sentence, anything so that you can say that you wrote for the day. Persevere. Be stubborn.

After night comes morning.

If you just so happen to be enjoying my blog, feel free to subscribe. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My first book, A God Walks up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – and with demigods, vampires, nymphs, ogres, and magic. The myths never went away, they just learned to move on with the times. It’s a tough job, being a god!

Image Source: “Dead Joshua tree (Yucca brevifolia); Covington Flats” by Joshua Tree National ParkPublic Domain Mark 1.0.