Tag: fiction

No, A.I. Robots Don’t Herald the End of the Human Race.

Are we all going to be replaced by robots?

When discussing the possibility of a dystopian future where humans are subject to synthetic overlords, we have to remember something about robots and A.I.: They are dumb. Really, really dumb.

The question is rather broad. Will humanity in general be replaced by robots? Or perhaps all workers are going to have their jobs replaced by thinking machines? I personally doubt either will happen.

The question is one that mankind has brooded over for several decades now. It prompts feelings of existential dread that are quite fashionable at the moment, and pop media has taught us that robots exist for no other reason than to take over the world and to exterminate/enslave/assimilate the human race. But no, no, I don’t think it’s going to happen.

Sure, A.I. appears extremely intelligent, able to perform tasks and calculations faster than the human mind, but it is input-output. Garbage in, garbage out. A.I. doesn’t possess the capacity for intuition and introspective learning that humans do.

Robots may be stronger and more resilient than humans, but they are machines. Machines wear out and break down, faster than human bodies, in fact, and need to be fixed regularly. Can an A.I. driven system do that? Probably. But what happens when that system itself glitches out? Who repairs the repairer?

The fear is nothing new. Laborers of the Industrial Revolution feared that mills and machines would replace the need for them entirely. Then came computers, and if anything, they need even more careful attention to work properly. A.I. is the next in a long line of newfangled technological innovations that freak people out because they’re new and nobody knows their full capabilities yet. So, people think, “Hey, maybe this time we really will be replaced!”

Again, pop media has conditioned us to expect as much.

People are still needed to operate technology. Technology is dimwitted. It can’t react to sudden surprises. It needs a human touch to function correctly. In fact, the more we rely on technology, the busier we become in managing it. Automation breaks down the moment a single step falls out of place.

A.I. can think fast, act fast and evolve fast, but it can’t adapt to the weirdness of real life like humans can. A.I. and robots both need people to continue working, not the other way around.

As for the big companies who are jamming A.I. into everything they can? They are in the honeymoon phase when it comes to A.I. and its applications. The possibilities seem endless! But the giddy pipe dreams will end, and stern reality will reassert itself. Executives will grow bored and move on to the next big thing. A.I. will become a fact of life, along with interesting new types of robots, and like the once-strange technologies of the steam engine, the computer and the automatically flushing toilet, it will fade into the mundanity of everyday life.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Beta Readers

The finish line for my newest book is finally in sight. It is a satisfying and terrifying feeling as my book approaches readiness to be loosed onto the public. And who knows what people will think?

Well, it’s no good for a writer to throw his work out into the world unchecked, and so it is time for me to turn to beta readers to review my current draft.

Who to turn to? Who do I trust to read my book and give honest, constructive feedback? I’m not yet willing to use professional beta readers. That’s mostly a matter of time and money, to be frank. But I do have friends, friends who enjoy reading and who give good, honest opinions.

Even then, a writer must still choose which friends. After all, if you know somebody who loves nonfiction, they probably aren’t the best qualified (or excited) to read your urban fantasy novel. So, it’s a matter of discretion, good judgment and maybe even a bit of risk-taking.

I hope to have my novel ready for publishing by the end of the year. I’ll keep my fingers crossed, but more importantly, I’ll be planning ahead for inevitable setbacks, errors and various other bumps in the author’s road.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

A Literary Sleight of Hand: Writing Characters Who Aren’t Good People

Work on my third book is, as they say, “proceeding apace.” Third draft is halfway done, and I’m actually somewhat happy with it.

It’s an interesting subject I’ve chosen. My two published works, A God Walks Up to the Bar and The Trickster’s Lament, are urban fantasy following the Greek god Hermes in our modern world. Writing gods is fun and fascinating. When you’re writing a guy like Hermes, and you look at what him and his ilk get up to in mythology, you realize that you can’t really start out the story with him being too likeable.

Hermes is a funny guy, and he’s smart, perceptive and entertaining to write and read about. But he’s not necessarily a good guy. He’s egotistical, vain, manipulative and more than a little callous. Which begs the question: How do you make readers want to keep reading about such a person?

The first step, I find, is character development. Hermes is not a static character. He grows and changes over time, and hopefully he’ll change for the better. The second is the time-honored strategy of comparing and contrasting. Does your story have an awful person as your protagonist? Make their opponents even worse.

Michael Corleone was godfather of a murderous Mafia family, but at least he wasn’t a drug dealer. Darth Vader killed children and endorsed the destruction of entire planets, but at least he wasn’t as sadistic as his emperor and still held love for his son. Peter Pan is a selfish child who never matures and is a nasty little brat, but his nemesis Captain Hook is a bloodthirsty pirate who, you know, wants to kill children.

Maybe it’s a cheap trick. Make somebody bad look good by standing them up alongside people who do worse things. A part of writing is getting inside people’s heads and figuring them out. When writing any protagonist, whether hero or villain or in-between, you have to figure out how to stoke the desire in audiences to keep reading about them. And if they do things that the audience finds … distasteful … then you may want to consider the good old strategy of compare and contrast. Give them lines they won’t cross. Give them a code. It doesn’t have to measure up to the reader’s own personal morals, but give them standards. And then pit them against antagonists who violate those standards.

It is, in many ways, a literary sleight of hand.

But Hermes, at least, isn’t a villain per se. He’s not nice, but he does have standards, fairly strong ones, and he is aware of some of his own vices. And he may even change for the better if he survives this upcoming book.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

On Writing Unpleasant Characters

Work on my third book is proceeding apace. Slow but steady wins the race, as they say. I’m currently in the third draft and hope to have something ready for editors by the end of summer. Book #3 about the modern day adventures of the Olympian god Hermes is on its way.

I am reminded that it’s been quite some time since I actually talked about my own writing. And as I think over it, especially thinking of those of you who have read my previous work, I ponder over the character of Hermes himself.

He is, I hope, a likeable protagonist. Certainly, I strive to make him interesting. But he is not, I think, a pleasant one.

Why is that? Well, that’s all part of character development. I don’t like to read or write about perfect saints. They have no room to grow. They’re stagnant. But even so, a protagonist who starts out arrogant, presumptuous and selfish can grate on the nerves. We know plenty of people like that in real life, so why read about one?

Thus, I have to make him a little sympathetic. It’s my responsibility to make readers want to read about a fellow with a big ego.

There are plenty of ways to do this. I prefer the method of making my protagonist suffer. Oh, yes, if he is possessed of insufferable character, then make him suffer! We all understand pain and trials. Even if the guy is a jerk, seeing him go through the wringer can squeeze out a few drops of sympathy. Not everyone deserves to go through this and that.

Also, I make his adversaries worse than him. Sure, Hermes can be haughty, but at least he isn’t a bully, a slaver, a callous killer. He still has a conscience deep, deep down. Even if he doesn’t want to acknowledge it.

Speaking of which, my stories are told from a first-person perspective, which offers tons of insight into his thinking process and views. He is a conflicted individual. He feels isolated and uncertain, at times. That’s a human trait. We have all struggled with ourselves, with what to believe, what is right or wrong, our identity, our place in the world, even what to say or not say at any given time. That humanizes him.

It makes an Olympian god a little more bearable if he has flaws. Readers like flaws. It makes for an interesting character to read about. After all, the absolutely worst thing I could do as a writer, far from even writing an unlikeable character, is to write a boring one.

I hope you enjoy reading more about Hermes’ adventures, even if you do want to wring his neck at times.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

No Jetpacks, No Teleporters, No Space Colonies … Keep Pushing Back the Date, Writers!

You ever notice how writers underestimate the rate of technology’s advance? They never quite get it right.

In the 1950s, writers predicted that families would be getting lost in space in the year 1997 A.D. They didn’t. In the 1960s, some small-time director thought that 2001 would a true odyssey in space. It wasn’t. Manned spaceflight hasn’t even gotten past the moon.

In the 1980s, a certain movie about time travel had the audacity to suggest we’d have hoverboards by 2015. That one still hurts. I want a hoverboard!

But no, we don’t have any. We have electric unmanned cars that come to a dead halt in the middle of intersections if the power grid goes out, but no hoverboards.

But we writers have a simple solution for irritants like reality and historical fact. We ignore them.

Just keep pushing back the date. By 2040 we’ll have colonies on Mars, I’m sure. No? By 2070. No? By 2100. Repeat as needed.

Oh, but don’t go thinking writers are completely lacking in self-awareness. There was an overt change in tactics around the 2000s when space colonies were proving to not be coming any time soon.

Writers started cheating.

In the year -insert random year around two decades from now- mankind discovers alien technology on the moon or Mars or what have you and reverse engineers it. Or a benevolent alien race arrives and welcomes us into the greater galactic community. Huzzah!

The year doesn’t even matter anymore! Marvelous literary freedom unbound by the constraints of science and logic! Be it 2027 or 2227, humanity will eventually discover those long-lost alien ruins that will unlock the secrets of faster-than-light travel, teleportation, artificial gravity and hoverboards.

What? Impossible, you say? Excuse me, but how do you know there isn’t an alien vault on the moon? You have proof?

Besides, writers don’t need proof. We type it down, and it is so. Just like this: In 2036 we will have flying cars. See? That was easy.

Science fiction is easy. All you have to do is keep moving the goalposts. And pretend that you never believed we’d all have hoverboards in the 2010s.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

What Matters Most: Establishing A Story’s Stakes

In every story, there are stakes. Something may be lost, something may be gained. The story’s conflict means something. Without stakes, without the risk of failure, a story isn’t very interesting. Who cares if the One Ring is destroyed in the fires of Mount Doom if Sauron isn’t a threat? Who cares about the Galactic Empire if they’re a paper tiger who can’t even threaten one planet?

You need to establish the stakes early on. That is to say, you need to establish what will happen if the heroes lose: Sauron conquers Middle Earth and reduces everyone to slavery. The Galactic Empire uses the Death Star to destroy any planet that opposes it. The heroes’ actions must matter.

Of course, not all stories have such a grand scope. To Kill a Mockingbird doesn’t deal with world-rattling threats, but Atticus Finch is struggling to prove an innocent man didn’t commit the crime he is accused of. The Grapes of Wrath centers around a family trying to establish a new life in California and not fall apart in the process. These are more personal stakes, but no less important.

That’s another thing about establishing stakes. They must be appropriate to the story. Personally, I think that, first and foremost, the stakes must be appropriate to the protagonist. We are reading about a character, and what matters to them must matter to us. If the stake is nothing more than Jim trying to get his kite into the air, then, by golly, that’s what the reader should care about, too.

Sometimes the stakes in a story increase. Maybe Jim gets drafted into World War II. Well, that’s a major shift. What’s at stake now? Survival? Capturing the enemy base? Maybe. But what is most appropriate is what directly affects Jim’s personal journey. It’s not just about fighting the enemy, any more than it was about flying the kite. It’s about Jim’s character growth.

It was never about getting the kite into the air. It’s not about fighting the war, not really. Those are the circumstances, but the story is about Jim learning to persevere and attain self-confidence. He never really felt that he was capable of getting that kite in the air. He feels that he can’t contribute to the war. The kite and the war represent the same thing: obstacles to Jim’s goal of becoming a confident, mature adult.

Okay, I’ll leave it up to one of you out there to write that story.

Writers don’t play hopscotch with the stakes. Even when they are raised to something more serious, they still form a core that drives the narrative. Every new stake is connected to the protagonist’s central conflict, each one a facet of his or her inner struggle.

It’s not about building up the biggest, most dire conflict imaginable: “The world will end! The evil empire will rule! The plague will kill us all!” It’s about character. It’s about what matters most to the protagonist.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

A Thought on the Horror Genre

I don’t have any long discussion on life, writing and the universe planned today. Just a brief thought on the topic of story genres:

The difference between the horror genre and the action genre is whether or not the protagonist has a shotgun.

Cheers.

***

My latest book, The Trickster’s Lament, is currently available on Amazon in both Kindle and paperback format.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

Writers, Mix It Up

I’ve started on the third installment in my urban fantasy series. Everyone writes at different speeds, and I’m somewhere in the middle of the pack, I think. I published my first book in August 2023 and published my second in January of this year. I hope to finish this third installment by the end of next year.

Maybe I am a slow writer, after all, but when you have a job and other commitments, you can’t be a writer 24/7, unfortunately.

Anyway, I’m happy with my work, but after finishing this current project, I think I’ll take a break from Hermes’ adventures. I’m in the mood to try something new. And that’s healthy, I’m finding. Writing about the same thing is kind of like exercising. If you keep exercising the same muscle group over and over, you end up hurting yourself rather than strengthening yourself.

So, I want to mix it up. I want to write different stories after finishing book #3 and stretch my talents. Broaden my horizons and various other cliches. It’ll be fun, and it’s good practice to try something new.

***

My book, The Trickster’s Lament, is currently available on Amazon in both Kindle and paperback format.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My New Book is Out on Amazon!

I am very excited to announce that my new book, The Trickster’s Lament, is now available on Amazon for both Kindle and paperback. This is my second ever published book and a sequel to my first, A God Walks Up to the Bar. I hope that my readers enjoy the further modern day adventures of the Greek god Hermes.

Synopsis:

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.

He may be disrespected. He may be kicked about. He may even be falling out with his pantheon. But Hermes is a trickster. He knows how to play dirty in a world that doesn’t play fair. But though he can best man, beast, and god, he isn’t prepared for his wiliest opponent yet: his own conscience.”

And for those who missed it the first time …

A God Walks Up to the Bar, my first foray into publishing, is also on Amazon.com. Interested in Hermes’s first recorded adventures battling half giants, skinwalkers, vampires, and other foes? Check it out!

As always, thanks for simply visiting my blog and sharing in my writing career and my various musings on life, the universe, and everything. Whether you click that subscribe button or not, I truly appreciate your taking the time to read my ramblings. Cheers.

Cover Art for The Trickster’s Lament

It’s my pleasure and privilege to reveal to you the title and cover of my soon to be published second book, The Trickster’s Lament.

Per the synopsis:

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.

He may be disrespected. He may be kicked about. He may even be falling out with his pantheon. But Hermes is a trickster. He knows how to play dirty in a world that doesn’t play fair. But though he can best man, beast, and god, he isn’t prepared for his wiliest opponent yet: his own conscience.”

Look forward to The Trickster’s Lament release on Amazon.com later this month!

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.