Tag: creative writing

To Be Childlike, Not Childish

What does it mean to be a kid at heart?

Have you ever met someone who was not only physically old, but acted old? “Woe is me, I’m so aged. I can’t do anything anymore, and I must spend my days lamenting my remaining existence.” They’re not exactly fun to be around.

They’re kind of like Charlie’s parents from Willy Wonka and the Chocolate Factory, having given up and lying in bed all day.

Of course, then Grandpa Joe actually stands up, and this happens.

Being a kid at heart means never losing the spark of hope, creativity and optimism that permeates childhood. Everything is new, everything is exciting, and everything is worth running towards.

To be childlike, not childish. Anyone of any age can be childish. That’s the dark side of childhood: the whining, the screaming, the self-pity, the selfish delusion that everything exists to serve and coddle you.

To be childlike, though, encompasses the positives of childhood: an enjoyment of life, able to see the good and the fun in it, to charge into any situation and give it your all while laughing and smiling. Honest laughter. Sincere smiles. That strange concept of unironic, sarcasm-free fun that we seem to lose as adults. Adults like to analyze their existence. Kids just are.

In short, to be a kid at heart means to sincerely enjoy life, with all its ups and downs. To live life and embrace its challenges, its triumphs and all the people in it. To not lie in bed all day, but get out and breathe the fresh air.

Even those who have been hampered by age and injury can soak in the sun, if they so choose, rather than grumbling in the dark.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

I Don’t Want to Go to the Moon. There’s Nothing to Do There.

How much would you pay to go to the moon?

Not gonna lie, I don’t want to go to the moon. Which means I would save money, I suppose.

Why go to the moon? Because it’s there? Well, plenty have gone to the moon, and it’s a monumental achievement, make no mistake, but I have no interest in leaving Earth’s atmosphere. There’s still so much to do here, so much to see, so much to explore. Earth is a big place. You might think of it as a tiny speck in the cosmos, but if so, then what a speck! Billions of people, millions of cities, and swathes of forests, plains, mountains, jungles, lakes, oceans, rivers, islands, deserts, glaciers, and tundra.

What’s on the moon? Dust. A lot of dust. Dunes. Craters. A really lovely view of Earth, that’s true enough. But going to the moon simply because it isn’t Earth isn’t the most compelling of reasons. I like Earth. I want to see more of it. There’s more to do here than on the Moon.

What if I did decide to take a moon trip? I would pay an astronomical sum to see some astronomy. I’d take a rocket up to the big grey ball in the sky, fly around it and … What? There’s nothing on the moon! What’s the point of traveling all that way if there’s nothing to do at the end of the trip?

Yeah, I don’t want to go the moon. I couldn’t afford it anyway.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

The Moment I Knew I Had Grown Up Whether I Wanted to or Not

When was the first time you really felt like a grown-up?

Growing up is a tough thing. We don’t leave childhood behind. It simply skips away, leaving us behind. And we find ourselves in the world of grown-ups. We certainly do gain quite a few things as adults, though: Responsibilities, duties, jobs, bills …

But at what point does it hit home that we’ve grown up? Is it a slow, dawning realization, or a thunderbolt to the head?

I first felt the pangs of adulthood when I moved to college. I had never lived apart from my parents before. Well, there was that one week in summer school, but that didn’t really count. Now, I was in the car with my parents going to a campus miles away from home and with the full knowledge that I wouldn’t be coming back with them.

The moment I made that realization was the moment that I knew things were Different™. There was no going back to childhood ways. I was an adult. I would be living as an adult. That made me a little excited, a lot nervous, and very, very giddy.

You ever have that dream where you’re in freefall? And your whole body tingles with such severe giddiness that you feel like it will overwhelm you? That’s how I felt when I arrived at my college. I was falling, falling, falling, all the way down. The only thing keeping me from curling up into a ball of panic was the certainty that the fall would end with me hitting the ground standing upright. Everything was in order, my room was rented, my classes were scheduled, and my parents were still just a phone call away. I wasn’t going to fall forever.

And so I grew up. No more childhood games, just the memories of them. Big adult games, like Studying for the Test, Learning to Budget and Managing My Own Bedtime. Adulthood was upon me.

Of course, once I graduated and entered the Real World, I realized that college wasn’t a very grown-up place after all, but that’s a story for another time.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

What Matters Most: Establishing A Story’s Stakes

In every story, there are stakes. Something may be lost, something may be gained. The story’s conflict means something. Without stakes, without the risk of failure, a story isn’t very interesting. Who cares if the One Ring is destroyed in the fires of Mount Doom if Sauron isn’t a threat? Who cares about the Galactic Empire if they’re a paper tiger who can’t even threaten one planet?

You need to establish the stakes early on. That is to say, you need to establish what will happen if the heroes lose: Sauron conquers Middle Earth and reduces everyone to slavery. The Galactic Empire uses the Death Star to destroy any planet that opposes it. The heroes’ actions must matter.

Of course, not all stories have such a grand scope. To Kill a Mockingbird doesn’t deal with world-rattling threats, but Atticus Finch is struggling to prove an innocent man didn’t commit the crime he is accused of. The Grapes of Wrath centers around a family trying to establish a new life in California and not fall apart in the process. These are more personal stakes, but no less important.

That’s another thing about establishing stakes. They must be appropriate to the story. Personally, I think that, first and foremost, the stakes must be appropriate to the protagonist. We are reading about a character, and what matters to them must matter to us. If the stake is nothing more than Jim trying to get his kite into the air, then, by golly, that’s what the reader should care about, too.

Sometimes the stakes in a story increase. Maybe Jim gets drafted into World War II. Well, that’s a major shift. What’s at stake now? Survival? Capturing the enemy base? Maybe. But what is most appropriate is what directly affects Jim’s personal journey. It’s not just about fighting the enemy, any more than it was about flying the kite. It’s about Jim’s character growth.

It was never about getting the kite into the air. It’s not about fighting the war, not really. Those are the circumstances, but the story is about Jim learning to persevere and attain self-confidence. He never really felt that he was capable of getting that kite in the air. He feels that he can’t contribute to the war. The kite and the war represent the same thing: obstacles to Jim’s goal of becoming a confident, mature adult.

Okay, I’ll leave it up to one of you out there to write that story.

Writers don’t play hopscotch with the stakes. Even when they are raised to something more serious, they still form a core that drives the narrative. Every new stake is connected to the protagonist’s central conflict, each one a facet of his or her inner struggle.

It’s not about building up the biggest, most dire conflict imaginable: “The world will end! The evil empire will rule! The plague will kill us all!” It’s about character. It’s about what matters most to the protagonist.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

“Now” is Not “Forever”

What is the best piece of advice you’ve ever received?

“This too shall pass.”

Whenever you are feeling down, whenever you feel discouraged, whenever you’re stuck taking out the trash or behind a desk at work, or otherwise feel that time has shrunk to a single point that is infinite and eternal and will never, ever get better …

“This too shall pass.”

This is no call to passivity or apathy. This is a call to endure and push forward. Now is not forever. The current situation is not the whole of the future. Persevere. Get the dishes done. Finish your homework. Drive through after-work traffic. There is an endpoint. There is not merely a light at the end of the tunnel – the tunnel itself does indeed have an end.

“This too shall pass.”

There is hope in life. Even the most dire, the most awful, the most horrific and seemingly apocalyptic of times will eventually pass and become a distant memory. You need not fear that what you’re suffering through now will always be there. And most of all, this means that we do need to live in despair. Work through the hard times, build perseverance, and from that perseverance comes character, and from that character comes hope. Because this – yes, THIS, right now – will pass soon enough.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Is There Such a Thing as Life Without Music?

What would your life be like without music?

Life without music would be insufferably boring. And, I think, it would be impossible to live life without it.

Not because we would drop dead from lack of music or lose all motivation and will, but because humans must make music. We feel rhythm and melody in everything. Nature sings: birds, wind, waves, thunder and lightning. Small wonder that man found ways to make musical sounds of his own.

For me, personally, music is a means of relaxation and inspiration. Relaxation from stress and worries, and inspiration for my imagination and writing. I have no particular taste in music; all genres are fair game. I just enjoy music as a means of processing ideas and, perhaps, of hyping myself up for a project.

Music also helps keep me sane when I’m mired in boredom or doing repetitive chores. Music is very important in my life, and I would be lesser for its absence. I think most people would.

And it’s impossible to avoid it. Music runs through my head during the day with or without headphones. It’s always there, drawn from an archive of songs and melodies. We are musical beings. People need music. I certainly do.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

What I Feel Isn’t Always What I Need

Share a lesson you wish you had learned earlier in life.

I wish I had learned much earlier in life that how I feel about something doesn’t change the need to do it. I wish that I had learned, a long time ago, that I shouldn’t only write when I feel inspired, that I only need to exercise when I feel good, and, in short, I should only do anything when I am “up to it.” Work still needs to be done regardless of my feelings on the matter, and even hobbies and joys can feel awfully dull sometimes.

I wish I better understood ten or twenty years ago that emotions shouldn’t dictate my actions, either to motivate me or restrain me. Emotion is separate from will. The will to do something is a conscious effort. Acting on passion is impulsive, and the burst of energy it gives is fleeting. The will to complete a task requires patience and quiet diligence.

Perhaps this seems obvious to you, and I’m just pointing out a fact that is clear as day. But I didn’t fully understand this when I was younger. I do now, and it has helped me better understand both myself and how life works.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

My Top Ten Favorite Movies

WordPress’s daily prompt made me think long and hard today …

These are my top ten favorite movies (in no particular order):

Porco Rosso – One of Studio Ghibli’s lesser known creations, a lowkey, introspective movie set in 1930s Italy. The protagonist is an ace pilot cursed to have the face of a pig. Why? Well, symbolism abounds, as do themes of survivor’s guilt, redemption and freedom. Also beautiful flying scenes, as per Studio Ghibli’s usual standard.

The Count of Monte Cristo (2002) – A great adaptation of Alexandre Dumas’s classic tale of revenge and its consequences. Less character study and more swashbuckling action, but it’s very well-choreographed swashbuckling, and the movie has an overall more optimistic tone than the novel.

Disney’s Beauty and the Beast – I grew up with Disney and will always have a soft spot for its animated films from the 1990s, but this one is my favorite. If you had to tie me to a chair to watch a romance, make it this movie.

Coraline – And if you had to tie me to a chair to watch a spooky animated movie, make it this one. A children’s film that manages to avoid cheap jokes and talking down to its audience, and most importantly, can also be enjoyed by adults. Very bizarre and surreal in a way that still makes a lick of sense.

The Rocketeer – Good old-fashioned pulp fiction adventure, based on a comic book character that surprisingly was less than a decade old at the time. Man with jetpack fights mafia thugs and Nazis. Straightforward, upbeat, and refreshingly earnest compared to the sardonic self-commentary of many of today’s superhero films.

Stargate – Ancient aliens done right – as science fiction. Very good flick that doesn’t try to reinvent the wheel, it just fills itself with likeable characters fighting an eeeeevil villain amidst great special effects. Sparked off an even better television show that ranks among my favorite TV series.

John Wick – A bit of a cheat, since I like the entire series, but I’ll stick with the first one for the purpose of this list. After a decade of jitter cam action antics, filmmakers realized that they could make stylish, creative action sequences and keep the camera steady. The action (and violence) generally takes precedence over the story, but the story that we see is actually quite poignant and painful in its humanity, as many of the best action films tend to be.

Tombstone – A manly Western starring manly men with manly mustaches. Joking aside, it’s a great film for everyone. Based on real-life events surrounding 19th-century lawman Wyatt Earp’s time in the town of Tombstone, Arizona, this film is made and memorialized by its cast. Really, really great acting all around, dialogue that sticks in your brain, and memorably tense confrontations between heroes and villains. Only in this film could the words, “Well, bye,” be made a stupendously amazing line.

The 7th Voyage of Sinbad – We’re going old school now. A 1950s fantasy flick with special effects by Ray Harryhausen, the man, the myth, the legend. Modern visual effects wouldn’t exist without him, nor half the monster designs you and I take for granted these days. The visuals are the real star here; the story is typical “Arabian Nights” fare: Sinbad the sailor fights evil sorcerer to save princess. Features a fire-breathing dragon, perpetually angry cyclops, and most famously, a swordfight with a living skeleton. This is the foundation of modern fantasy visuals as we know it, you young whippersnappers!

Hook – This movie’s premise is very bold: Tell a story about Peter Pan growing up. Sounds like a disaster on paper (and to be fair, this movie is a bit divisive, I understand), but I always enjoyed it. Robin Williams makes the film work with his acting chops, and the film is more grounded in James Barrie’s original story than you might suspect, and indeed more so than many later Peter Pan adaptations. Dustin Hoffman’s Captain Hook is a treat – even if he’s not my favorite version of Hook, he serves as a great foil to Williams. Also probably my favorite realization of Neverland on film – colorful, fantastical and like something out of a storybook.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Writing is a Whitewater Rapid, Writing is a Block of Marble

What do you enjoy most about writing?

Writing is an act of creation. It is the free exercise of imagination and the production of things unseen, undreamt, uncertain until that very moment. It is as dynamic as a mountain river and just as unpredictable. It ebbs and flows. Currents crisscross one another and pull me in this direction, and now in the other. I love it. I plunge into the unknown when I sit down to write. For all the preparations and outlines and forethought, which are important, I still don’t truly know what will happen.

I love the surprise. I love the way that my imagination detaches from my logical mind and soars on its own. And then, after I return to Earth and the giddiness fades, comes the really fun part: editing.

Editing is taking the uncouth block of marble that is my first draft and refining it into something I can show in public. I am an editor at heart. The initial draft, that whitewater rafting down the river of raw imagination, must be balanced against the delicate chiseling of the editing process. Careful carving, doing away with what isn’t needed, making my work into something better. I love the careful precision and attention to detail.

Truth be told, I just love making up stories. Good stories, bad stories, stories that teach, stories that entertain. Like rivers and stone, riding the rapids and nicking away at the marble, are stories made.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Where Are My Glasses?

What is the most important thing to carry with you all the time?

What do I carry with me? That question can be a profound one. What abstract qualities do I carry that sustain me through the day? What precious items do I keep with me at all times that show what I truly value?

Well, it could be a profound question. Or it could be remarkably mundane and ordinary. Let’s go in that direction. There’s time for profundity later.

I always carry my glasses. Why? Because I need them. I can’t see well without them. I’d say that’s pretty important, wouldn’t you? My glasses are a part of me, whether I like it or not, and so they are either on my face or close at hand all the time.

It’s not emotional. It’s not soul-stirring. It’s not philosophical. But it’s real. If I didn’t have my glasses, I’d be straining to read these words as I’m writing them. If I couldn’t find them, I’d be tearing apart my room looking for them, crying fruitlessly, “Where are my glasses?”

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“