Tag: fantasy

My Top Ten Favorite Movies

WordPress’s daily prompt made me think long and hard today …

These are my top ten favorite movies (in no particular order):

Porco Rosso – One of Studio Ghibli’s lesser known creations, a lowkey, introspective movie set in 1930s Italy. The protagonist is an ace pilot cursed to have the face of a pig. Why? Well, symbolism abounds, as do themes of survivor’s guilt, redemption and freedom. Also beautiful flying scenes, as per Studio Ghibli’s usual standard.

The Count of Monte Cristo (2002) – A great adaptation of Alexandre Dumas’s classic tale of revenge and its consequences. Less character study and more swashbuckling action, but it’s very well-choreographed swashbuckling, and the movie has an overall more optimistic tone than the novel.

Disney’s Beauty and the Beast – I grew up with Disney and will always have a soft spot for its animated films from the 1990s, but this one is my favorite. If you had to tie me to a chair to watch a romance, make it this movie.

Coraline – And if you had to tie me to a chair to watch a spooky animated movie, make it this one. A children’s film that manages to avoid cheap jokes and talking down to its audience, and most importantly, can also be enjoyed by adults. Very bizarre and surreal in a way that still makes a lick of sense.

The Rocketeer – Good old-fashioned pulp fiction adventure, based on a comic book character that surprisingly was less than a decade old at the time. Man with jetpack fights mafia thugs and Nazis. Straightforward, upbeat, and refreshingly earnest compared to the sardonic self-commentary of many of today’s superhero films.

Stargate – Ancient aliens done right – as science fiction. Very good flick that doesn’t try to reinvent the wheel, it just fills itself with likeable characters fighting an eeeeevil villain amidst great special effects. Sparked off an even better television show that ranks among my favorite TV series.

John Wick – A bit of a cheat, since I like the entire series, but I’ll stick with the first one for the purpose of this list. After a decade of jitter cam action antics, filmmakers realized that they could make stylish, creative action sequences and keep the camera steady. The action (and violence) generally takes precedence over the story, but the story that we see is actually quite poignant and painful in its humanity, as many of the best action films tend to be.

Tombstone – A manly Western starring manly men with manly mustaches. Joking aside, it’s a great film for everyone. Based on real-life events surrounding 19th-century lawman Wyatt Earp’s time in the town of Tombstone, Arizona, this film is made and memorialized by its cast. Really, really great acting all around, dialogue that sticks in your brain, and memorably tense confrontations between heroes and villains. Only in this film could the words, “Well, bye,” be made a stupendously amazing line.

The 7th Voyage of Sinbad – We’re going old school now. A 1950s fantasy flick with special effects by Ray Harryhausen, the man, the myth, the legend. Modern visual effects wouldn’t exist without him, nor half the monster designs you and I take for granted these days. The visuals are the real star here; the story is typical “Arabian Nights” fare: Sinbad the sailor fights evil sorcerer to save princess. Features a fire-breathing dragon, perpetually angry cyclops, and most famously, a swordfight with a living skeleton. This is the foundation of modern fantasy visuals as we know it, you young whippersnappers!

Hook – This movie’s premise is very bold: Tell a story about Peter Pan growing up. Sounds like a disaster on paper (and to be fair, this movie is a bit divisive, I understand), but I always enjoyed it. Robin Williams makes the film work with his acting chops, and the film is more grounded in James Barrie’s original story than you might suspect, and indeed more so than many later Peter Pan adaptations. Dustin Hoffman’s Captain Hook is a treat – even if he’s not my favorite version of Hook, he serves as a great foil to Williams. Also probably my favorite realization of Neverland on film – colorful, fantastical and like something out of a storybook.

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Tolkien on Escapism

I was ranging the Internet tonight and came across this quote by J.R.R. Tolkien. Food for thought for writers, poets, and all other storytellers.

Fantasy is escapist, and that is its glory. If a soldier is imprisoned by the enemy, don’t we consider it his duty to escape?. . .If we value the freedom of mind and soul, if we’re partisans of liberty, then it’s our plain duty to escape, and to take as many people with us as we can!

J.R.R. Tolkien

***

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My latest book, The Trickster’s Lament, is currently available on Amazon in both Kindle and paperback format.

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.“

Cover Art for The Trickster’s Lament

It’s my pleasure and privilege to reveal to you the title and cover of my soon to be published second book, The Trickster’s Lament.

Per the synopsis:

“Hermes is not having the best time. He walks a fine line, and his duty as messenger of Olympus weighs heavily on him. Being a god in the modern age means living in a world that no longer believes in gods. How much can one deity accomplish when no one respects him anymore? And why do his instincts tell him that he, the son of Zeus, is losing favor with his own family?

Tensions abound. The upstart Young Gods play dangerous games using entire cities as their boards. Formless monsters strike from the nighttime shadows, terrorizing hapless mortals. Agents of rival pantheons scheme to thwart Olympus’ designs. In the thick of it all, Hermes does what he does best: trick, lie, and cheat his way to victory.

He may be disrespected. He may be kicked about. He may even be falling out with his pantheon. But Hermes is a trickster. He knows how to play dirty in a world that doesn’t play fair. But though he can best man, beast, and god, he isn’t prepared for his wiliest opponent yet: his own conscience.”

Look forward to The Trickster’s Lament release on Amazon.com later this month!

Many thanks for visiting my blog. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

Delving into the Unreal: How Fantasy Helps Us Deal with Real Life

Real life is hard. Can we all agree on that? Real life is really hard to deal with. If it’s not the troubles and calamities of real life intruding on our status quo, it’s the dreary monotony of everyday activities. Going to work, washing the dishes, walking the dog. Sometimes, we just hit a rut. What to do?

People are imaginative, and there’s nothing better at firing up the creative juices then boredom.

There are people out there prone to daydreaming. They come up with whole worlds in their heads. The really ambitious ones commit those worlds to paper. Voila! A new fantasy story is created.

Fantasy helps us cope with the real world. It is a form of escapism that gives us a few precious moments away from humdrum reality, a chance to catch our breath and maybe let out a couple screams, then return to the grind. A little fantasizing is good for our mental health. Relaxation and rest is a good thing, and fantasy is a form of that. A jaunt into a made-up world where heroes always win, good triumphs over evil, magic can make food and water out of nothing, and we can fly on winged horses is just … fun. That’s the point of fantasy. Just like some people like car racing or hiking or painting or math (such people do exist), so do some enjoy fantasy because it’s just plain fun.

To deny ourselves recreation is to trap ourselves inside a metal box at the bottom of the ocean. We can’t move, can’t escape, can’t even see the light. We suffocate under the inability to exert ourselves. Our minds along with our bodies atrophy from the lack of exercise. And from the lack of challenge. Fantasy is a challenge. Fairy tales and epics challenge us to see the world in a new way and ponder how these stories match up against our own experiences. And they let us see something new, period. Don’t we humans crave novelty? Why go on vacation, if not to “get away from it all?” And what are we getting away from? The ordinary and the familiar.

Fantasy is all that writ large. It is the unfamiliar and the extraordinary. A chance to wonder: What if?

And at an even more fundamental level, fantasy taps into that all-consuming human urge to create. We all want to create something. We tinker, we write, we draw, we brainstorm, we organize, we build, we muck about. We like to make things, whether things concrete or things abstract. Fantasy is creation. It’s a powerful impulse, the urge to create, and making fantastical worlds is the perfect outlet for what, I believe, is a basic human need.

Does fantasy matter? Absolutely. We can’t resist it’s siren call. To get away from mundanity, to satisfy our basic natures, to keep ourselves sane. Fantasy is very, very important.

If you just so happen to be enjoying my blog, feel free to subscribe. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My first book, A God Walks up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – and with demigods, vampires, nymphs, ogres, and magic. The myths never went away, they just learned to move on with the times. It’s a tough job, being a god!

Image: “Dave Checking out the Perseid Meteor Shower at 10,000 feet“; Dave Dugdale; Licensed under CC BY-SA 2.0.

Delving into the Unreal: Taking Fantasy Seriously

Does the fantasy genre matter?

Let’s be honest. With a question like that, and the fact that my blog is subtitled “Writer of Modern Day Fantasy,” you can pretty easily guess that the answer is, “Yes.” But, hey, did I catch your attention? I did? Good. Let’s dive into it, then.

Fantasy is an important genre. Myths and legends have existed for almost as long as humankind has. There is an almost natural urge in people to invent and make up lands, species, events, and other such things that don’t exist in nature. The urge to create things that defy natural law: flying carpets, giants, dragons, dryads, genies, wishing stars, talking puppets, elves, hobbits, fairies, people the size of your thumb, people as tall as a mountain, alien worlds, life on the moon, and so on and so on. The earliest myths probably were meant to explain phenomena that man couldn’t yet fully understand, like the weather or earthquakes. But even after science has offered its explanations, the fantasies endure. Do old habits die hard? Or maybe we need fantasy in our lives.

Consequently, fantasy is a versatile thing. At its heart, it is the telling of things that not only don’t exist, but can’t exist. There are no elves in the forest. There are no genies trapped in bottles. There is no Fountain of Youth or cities at the bottom of the ocean. But the stories are still told.

For a long time, though, there was a problem.

For the last century or so, fantasy got a bad rap. It was viewed as this sort of nerdish subject that is impractical and of no relevance to “real life.” Dungeons & Dragons was the epitome of loser geek culture for decades. It was a “loser” subject because, in part, it was something that wasn’t real – but people took it so seriously! Why make such a big fuss over the unreal? Why obsess over the rules for a game about fighting made-up creatures? If you’re going to obsess over statistics, at least apply that obsession to football and baseball, not orcs and hobgoblins!

For many people, deriving so much enjoyment from something made-up is just plain childish. Oh, when we are children, it’s fine to enjoy stories of knights versus dragons. Fairy tales are quaint little things that amuse us when we’re young. Then we grow up and enter the serious real world where we need to be interested in grown-up things. Like cars and sports and art and the latest celebrity gossip. You know, important stuff.

That association with the immature has been a stain on fantasy’s reputation for a long time, as well as its sister genre, science fiction. The dominions of nerds and other people who can’t handle reality. There were exceptions, of course. Star Wars, for example, was a major blockbuster in 1977. But by and large, fantasy movies and books and games were strictly niche. There was an audience, but a highly specific one.

Then things changed.

I think the Lord of the Rings film trilogy in the early 2000s was the big turning point. Here was a fantasy series with major, respected stars that took itself seriously. It had a big budget, it was being produced by a major studio, it had marketing and advertising out the wazoo. The critics liked it. It was art.

Suddenly, fantasy lost its stigma. It wasn’t so bad to admit you liked the genre.

Others followed. Game of Thrones was a biggie. And there was Stranger Things, which proudly wore its 1980s nostalgia on its sleeve. And what was big in the 1980s? Yup, Dungeons & Dragons. Speaking of which, a Dungeons and Dragons movie released last year was warmly received. Oh, how the tables had turned!

The fact is, there are lots of people who like the unreal. They like to step away from reality for a few hours. It is called escapism. Personally, I think part of fantasy’s bad reputation is that escapism is confused with retreat. One is the willingness to step away from your problems or worries for a little while to refresh yourself. The other is an ultimately selfish choice to ignore one’s real-life obligations in favor of never leaving the fantasy. But many non-fantasy fans view the genre strictly through the latter lens. A bunch of guys and gals without jobs living in their parents’ basements reading silly books about silly people in silly lands. Fantasy is for the weak, for people can’t handle their own responsibilities.

It’s not fair, really. J. R. R. Tolkien wrote fantasy, after all. You know, the highly respected scholar and linguist? A man with a very productive and well-balanced life? And it gets more unfair.

So, fantasy has hit it big, as I just mentioned. And why did it hit it big? Well, a few successful movies certainly helped. But also, you know, the average person finds out that people like Henry Cavill and Joe Manganiello play stuff like D&D and Warhammer 40,000. Hey, they’re not nerds! Fantasy must be cool!

Sometimes, the best way to get people to take something seriously is to find the right spokesperson. All this time, fantasy just needed better PR.

It worked. Fantasy is widely accepted now. People aren’t ashamed to say that they like it. Nerds aren’t social pariahs. Heck, most of them are running major corporations. And the people writing those hit fantasy movies? They’re nerds, too. That’s the other big shift in the fantasy genre in mainstream culture. Four, five decades ago, fantasy films and TV shows were mainly being written by people who saw it as harmless, inconsequential fun. But the people who grew up with those shows and films, the people who fell in love with them, are the ones calling the shots now. And their beloved childhood is anything but inconsequential. Fans tend to pour their hearts into their work, and the quality of the product (hopefully) goes up. The bigger budgets certainly help.

By and large, fantasy has found public acceptance. Fairy tales aren’t just for kids anymore.

But the question posed at the beginning of this article is only half-answered. Does fantasy matter? Yes, yes it does. Financially, socially, culturally, it matters very much. But why does it matter? And in what other ways does it affect us besides providing something to do on a Saturday night?

Stay tuned …

If you just so happen to be enjoying my blog, feel free to subscribe. I post updates on my writing career, I muse over storytelling and fiction, and I reflect on the curious and wonderful things in life.

My first book, A God Walks up to the Bar, is available on Amazon.com. Witness the modern day adventures of the Greek god Hermes in a world much like our own – and with demigods, vampires, nymphs, ogres, and magic. The myths never went away, they just learned to move on with the times. It’s a tough job, being a god!

Image: “Dave Checking out the Perseid Meteor Shower at 10,000 feet“; Dave Dugdale; Licensed under CC BY-SA 2.0.